Archive for Work and Adventure – Page 23

As the World Turns… Part One

stonehenge

Words matter… and now that we’re closing the book on a tumultuous 2016 it’s worth taking a look at the ones that hijacked the news cycle at year’s end.

World order. Disruption. Transition. Cyber-Intrusion. Destabilization Post-truth. Twitter.

These highly charged words dominated the cycle and continue to dominate as we move closer to next week’s inauguration of a new President-Elect. I won’t try to parse the dark side of these year-end favorites, or summarize their importance in 140 characters or less, but it’s worth reminding ourselves that words (and actions) do matter, but they matter less in the heat of a Twitter moment than in thoughtful reflection. read more

Beirut to Jerusalem…

Fifty-one years ago, this week, I was in East Jerusalem surrounded by the past, confronting the present, and trying to imagine the future, but I was also energized to be in the place where King David reigned, Mohammed walked, and Christ died.

On Christmas Eve, at an Episcopal Mass in Seattle, I had difficulty focusing on the sermon and though the subject matter was mainstream – fake “post-truth” news and the birth of Christ – my mind was in that earlier time and place. As the Bishop spoke I thought about the Holy Land as crucible, how it was 51 years ago, how it is now, and what the differences mean to all of us. read more

Remembering a Friend…

Often, as the year draws to a close, my thoughts return to friends who departed the planet earlier than they should have. Those memories remind me that we never achieved a natural closure – that their premature deaths inflicted wounds that are slow to heal.

Gary Gibson Stoecker is one of those friends. Gary and I were young Pan Am pilots when we met in 1972. We both lived in Mill Valley, flew out of San Francisco, and our lives continued to parallel each other as we moved on to Ketchum Idaho in 1973 and Berlin in the late ’70’s. read more

Be Kind. Make Art. Fight the Power…

zen-sand-garden

“Everything that has a beginning has an ending. Make your peace with that and all will be well”      

– Buddha

I’m trying…

Trying to stand up and rebalance after the political knockdown. Trying to refocus on the positive. Trying to take my cues from Colson Whitehead, this year’s National Book Award winner, who celebrated the redeeming power of art in his acceptance speech last night. His mantra for all of us – “Be kind to everybody, make art, and fight the power.”

Good advice. I’m exhausted from the turmoil of the news cycle. Be positive. Stop whining. Look forward. Live honestly. Celebrate integrity and take comfort in reading, writing, and living the values I hope will inform the future our children and grandchildren’s will inherit.

Two weeks ago Robert Olen Butler read from his new novel, Perfume River at my local bookstore (Third Place Books) in Lake Forest Park. Mr. Butler is the 1993 Pulitzer Prize winning author of A Good Scent from a Strange Mountain, a collection of short stories sourced from his experience as a Vietnamese-speaking US military interpreter during the “American War.” I read A Good Scent…  around the time it was published but didn’t appreciate how good it was until I reread it while working in Saigon.

As an admirer of creative fiction I was astonished at the way this American writer was able to inhabit the characters of an old Vietnamese woman, a VC sapper, an American GI deserter, and a young Viet Kieu girl. Like a great actor, the author became these characters. I was so impressed on rereading the stories that I sent him an email asking if I could visit while in Florida on a work assignment.  He agreed and I drove 421 miles out of my way to do it.

Butler lives in Capps, Florida, a T-intersection near Tallahassee, in an old plantation house filled with books and shelves lined with “hot” sauces –two of his obsessions. The house is on the National Register of Historic Places just a few miles from Florida State University where he teaches creative writing.

“Ibutlers-library‘ll never stop believing it: Robert Olen Butler is the best living American writer, period,” (Jeff Guinn, book editor for the Fort Worth Star-Telegram).

There are a number of exceptional American writers but Robert Olen Butler, is unquestionably one of the best. The 71 year-old, five times married author, has published 16 novels, 4 collections of short stories, and a seminal work for aspiring writers called From Where You Dream: The Process of Writing Fiction.

When I pulled up to the house – literally pulled up to the house because there is just a hard flat piece of ground ending at its steps – I was greeted like an old friend. “Come on up” he said. I climbed the stairs and entered a large simply furnished room. He led me through the house, a jumble of rooms filled with books. My kind of place. If you’ve ever toured the colonial homes of our Founding Fathers you’ll know what I mean, many small rooms with high ceilings but no discernible floor plan.

After the house tour and some small talk he asked if I liked Mexican food. I do. “Let me grab my coat and I’ll take you to the best Mexican restaurant in the country.” Sixteen miles north, in Monticello, near the Florida-Georgia line, the Rancho Grande looks like a typical Mexican café – high backed wooden booths, bright yellow walls with royal blue trim decorated with sombreros and serapes. But appearances can be, as they say, deceiving, and Butler was right; the food was some of the best Mexican I’ve ever eaten. I ordered the special Lunch Fajitas with rice and beans and washed them down with a Dos Equis Dark. Delicious.

During our meal we talked about writing fiction and the outline of our lives. He asked how many times I’d been married and laughed when I said three. He told me I was one behind.”  Actually now it’s two, since then he’s divorced number four and married number five. Last week he told me he thought he was over his compulsive need to “commit.”

After lunch we drove back to Capps and he took me around to the small outbuilding that serves as his office/studio (also lined with books). He had just signed a contract to write two thrillers based on a short story written years before. There was no artifice about him. He asked me about myself and seemed genuinely interested. He asked if I read thriller fiction and if so what authors I liked. He was looking for models. I told him I admired Alan Furst, and he quickly said “Yes, but I think the characters are a little thin.” I wouldn’t have said that but he’s the expert. His characters always jump off the page as real people.

Our afternoon together passed quickly but he never made me feel it was time to go. When it was over, I thanked him and left behind a stack of books I brought for him to sign. Then I drove to the FSU campus to see where he teaches. Nice place. Two weeks later the box of books arrived in Seattle, each with personalized inscription. Bob Butler is a class act.

perfume-river

I’m reading Perfume River now and seeing in it my own Vietnam experience as well as universal and personal family issues. There’s no shortage of literary hanky panky here. The protagonist is a 70-year-old Vietnam vet, now a professor at FSU, who by virtue of the imminent death of his father must confront a number of long buried issues, personal, familial, and global. There are dysfunctional marriages, mistaken identities, a doppelganger homeless man, and reflections on family and mortality. It dexterously shifts back and forth between the war in Vietnam, the protagonist’s pre-war family, and his present day life in Florida. The scope is global but it’s grounded in the particular – something he implores his students to strive for. I’m not finished with the book but I’m savoring every word. Perfume River is an important new novel from a writers’ writer. It’s also a great launch point for me with Colson Whitehead’s mantra ever in the background.

Be kind to everybody, make art, and fight the power.

Art on the National Mall

nga-east-wing

It’s been more than 50 years since I first visited the National Gallery. At that time there was no dedicated space for modern art and what we think of as modern was mostly absent from its collection. There was no abstract expressionism, no color field painting, no installation environments, no minimalist art, and the printmaking renaissance of Jasper Johns and Robert Rauschenberg was still in the future. Fresh out of college, my own taste ran to French Impressionism and Picasso’s blue, rose, and cubist periods.

The one “modern” painting I found memorable on that visit was Salvador Dali’s The Sacrament of the Last Supper. At the time it seemed shocking.

dali-last-supper

I wasn’t a sophisticated art viewer but I was awestruck. The painting dominated the room and obviously made a lasting impression. It still hangs there, in the main NGA building, and I’m still impressed with the draftsmanship and spatial organization, but now it seems almost classical and appreciably less shocking than on that first visit.

Today there is an additional NGA building, the East Wing, devoted entirely to modern art, but the Dali remains in the old NGA. Why isn’t it in the modern wing? The Dali painting is a prime example of surrealism and while Picasso and other 20th century innovators were moved to the new space Dali was not. The reason, according to TripAdvisor, is that an unnamed curator didn’t like the painting but wasn’t allowed to take it down. Instead, he located it in the “elevator room” of the main building near the cafeteria – a fun fact and minor example of how politics and intrigue also play in the art world.

The modern East Wing, designed by I.M. Pei, was finished in 1978, almost 20 years after my first visit. The design incorporated his signature glass pyramids outside (think the Louvre but smaller) and a ceiling of intersecting glass triangles that flooded the interior atrium with natural light. Two weeks ago on September 30th, after an expensive three year long renovation, the “new” East Wing reopened just in time for our arrival in Washington. The renovation maintains the building’s original footprint while reimagining and reconfiguring the space in order to display more work (from 350 to 500 permanent collection works), bring in more light, and create additional special exhibition spaces. The $69 million fixer-upper seems perfectly suited to its purpose – to display all manner of modern and contemporary art from the cubism of Braque and Picasso to the realism of Hopper and Bellows and further on to the monster blue fiberglass chicken that dominates the new sculpture terrace.

nga-blue-chicken

Today, upon entering the old NGA, one is directed to descend to an underground passageway where a thoroughly modern moving sidewalk transports the visitor, almost in a time travel way, to the East Building. There, in a thoroughly modern space visitors can feast on large rooms full of  Rothko’s, Newman’s, Pollacks, Motherwell’s, and Frankenthaler’s, mobiles by Calder and sculptures by Giacometti, and adjoining the East Wing is an outdoor sculpture garden with large installations by Oldenburg and Richard Serra.

nga-tunnel

Tired metaphor or not  – it’s hard not to feel like you’re drinking from a fire hose when visiting the National Mall. The opportunities are overwhelming, and it’s always difficult to prioritize the attractions. There are so many – monuments, museums, gardens, memorials, reflecting pools and vistas. This time we had a week, much better than the 2 or 3 days of previous visits, but still a challenge. Art was at the top of our list and we had the historic National Gallery, the new East Building, the Hirschhorn Museum and Sculpture Garden, the Smithsonian Museum of American History, and the Smithsonian National Portrait Gallery to choose from. We managed to cover most of them but spent the better part of two days in the newly opened East Wing. read more